Indie Sex is a 2007 American television documentary film directed by Lesli Klainberg.

Underage sexual activity is one of the most taboo subjects on screen. The film traces the history and representation of adolescent love and sexual behavior from Splendor on the Grass to Thirteen. It examines both the sensational teen films of the 1980s and more modern youth cinema as mediums through which teen movies play a central role in adolescent sex education.

Patrick's life is paved with broken dreams. The bad luck keeps on coming until a sudden series of accidental, felonious and even magical events change the course of his destiny forever. Now all he has to do is deal with the body.

Patrick's life is paved with broken dreams. The bad luck keeps on coming until a sudden series of accidental, felonious and even magical events change the course of his destiny forever. Now all he has to do is deal with the body.

Independant filmmaker, Kevin Sanderson, has his best screenplay stolen by uber-Hollywood producer, Robert Wynn. Now the film is coming out and Kevin schemes with his old cast and crew to steal the Premiere print and get his rightful credit.

Independant filmmaker, Kevin Sanderson, has his best screenplay stolen by uber-Hollywood producer, Robert Wynn. Now the film is coming out and Kevin schemes with his old cast and crew to steal the Premiere print and get his rightful credit.

A former one-hit-wonder relocates her family to a small town, where she becomes fiercely competitive in her daughter's school science fair, reigniting her thwarted ambitions and sparking a parental feud.

Na-hee, who has always liked Tae-seong, who is caring and kind, sneaks into Tae-seong’s house. When Tae-seong finds out that both Na-hee and Mi-yeon liked him, his behavior changes immediately. He sends Na-hee away and brings Mi-yeon, who likes him, to his house. Mi-yeon, who doesn’t know anything about his relationship, gladly accept his invitation to come to Tae-seong’s house.

A woman's daring sexual past collides with her married-with-kids present when the bad-boy ex she can't stop fantasizing about crashes back into her life.

Joel Potrykus calls fellow indie filmmakers during the pandemic crisis to check in and see how they're holding up.